Issue 31: January 2011

Articles

Anton Sidorenko: The Coma Continues: New Belarusian Cinema

Liliia Nemchenko: Signs of the Everyday in Post-Soviet Cinema

Interviews

Birgit Beumers: Interview with Iurii Shiller: Between document and prose?

Birgit Beumers: Interview with Andrei Stempkovskii: The text is not important…

Film Reviews

Oleg Assadulin: Phobos by Jeremy Morris
Dmitrii Astrakhan: Nice and Good People Live on Earth by Christina Stojanova
Lidiia Bobrova: I Believe! by Rimgaila Salys
Iaroslav Chevazhevskii: Happy End by Christine Engel
Vadim Dubrovitskii: Ivanov by Joe Andrew
Aleksei Fedorchenko: Silent Souls (Buntings) by Serguei A. Oushakine
Iurii Feting: Bibinur (Tatarstan) by Elena Monastireva-Ansdell
Egor Konchalovskii (ed.) Moscow I Love You (almanac) by Sylvia Hölzl
Grigorii Konstantinopol’skii: Pussycat by Sergey Toymentsev
Iuliia Mazurova: Over the City by Saskia Weber
Sergei Osipian, Aleksandr Lungin: Act of Nature by Ian Garner
Elena and Nikolai Renard: Mama by Emily Schuckman
Ramil Salakhutdinov: Who Wasn’t There by Chip Crane
Alena Semenova, Aleksandr Smirnov: The Rowan Waltz by Fred Corney
Iurii Shiller: Sparrow by José Alaniz
Sergei Solov’ev: Classmates by Oleg Sulkin
Andrei Stempkovskii: Reverse Motion by Sergey Dobrynin

Central Asia and Caucasus Region:
Khuat Akhmetov: Who are you, Mister Ka? (Kazakhstan) by Daniel H. Wild
Suren Babayan: Don’t Look in the Mirror (Armenia) by Genia Boivin
Levan Koguashvili: Street Days (Georgia) by Julie Christensen
Otar Iosseliani: Chantrapas (France/Georgia) by Andrei Rogatchevski
Chingiz Rasulzade: The Dolls (Azerbaijan) by Sasha Senderovich

 

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