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    <title>KiKu - Forum</title>
    <link>http://www.kinokultura.com/index.php/forums/</link>
    <description>KiKu - Forum</description>
    <dc:language>en</dc:language>
    <dc:rights>Copyright 2007</dc:rights>
    <dc:date>2007-04-19T15:23:00+00:00</dc:date>
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      <title>Kinopravda &amp; Man with a Movie Camera</title>
      <link>http://www.kinokultura.com/index.php/forums/viewthread/6/</link>
      <guid>http://www.kinokultura.com/index.php/forums/viewthread/6/#When:15:23:00Z</guid>
      <description>&lt;p&gt;Curzon Mayfair
&lt;br /&gt;
38 Curzon Street
&lt;br /&gt;
London W1J
&lt;br /&gt;
&lt;a href=&quot;http://www.curzoncinemas.com&quot;&gt;http://www.curzoncinemas.com&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
SUNDAY 22 APRIL 1:00 PM
&lt;/p&gt;
&lt;p&gt;
£12.50
&lt;/p&gt;
&lt;p&gt;
MICHAEL NYMAN PERFORMING LIVE TO KINOPRAVDA 21 [15]
&lt;/p&gt;
&lt;p&gt;
Dziga Vertov / 35m / 1925
&lt;/p&gt;
&lt;p&gt;
The Austrian Film Museum in association with Wallflower Press and 
&lt;br /&gt;
Curzon Cinemas present a world premiere of Michael Nyman&#8217;s new score to Dziga 
&lt;br /&gt;
Vertov&#8217;s film KINOPRAVDA 21, to be performed at this special screening 
&lt;br /&gt;
by the composer himself.
&lt;/p&gt;
&lt;p&gt;
A screening of Vertov&#8217;s landmark (originally silent) MAN WITH A MOVIE 
&lt;br /&gt;
CAMERA, with a pre&#45;recorded Nyman score will precede this special solo 
&lt;br /&gt;
performance. The event coincides with the launch in the UK of a new 
&lt;br /&gt;
publication on the director, published by the Austrian Film Museum and 
&lt;br /&gt;
distributed through Wallflower Press, which provides extensive access 
&lt;br /&gt;
to previously unseen archive material from Dziga Vertov&#8217;s archive. Dziga 
&lt;br /&gt;
Vertov&#45; The Vertov Collection will be on sale at this event for the 
&lt;br /&gt;
special 
&lt;br /&gt;
price of £12.
&lt;/p&gt;
&lt;p&gt;
MAN WITH A MOVIE CAMERA [15]
&lt;/p&gt;
&lt;p&gt;
Dziga Vertov / 65m / 1929
&lt;/p&gt;
&lt;p&gt;
Vertov&#8217;s best&#45;known film is also his most mysterious. Behind the main 
&lt;br /&gt;
idea of a film about a film being made &#45; which is also the film we&#8217;re 
&lt;br /&gt;
watching &#45; lie a series of coded references to topical events (should the Bolshoi 
&lt;br /&gt;
be demolished?) and to the lure of fiction films. A manifesto certainly, 
&lt;br /&gt;
but still magical.
&lt;/p&gt;</description>
      <dc:date>2007-04-19T15:23:00+00:00</dc:date>
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