Special Issue 11: Croatian Cinema (May 2011)

Guest Editors: Aida Vidan, Gordana P. Crnković

Articles

Aida Vidan: In Contrast: Croatian Film Today

Ivo Škrabalo: Croatian Film in the Yugoslav Context in the Second Half of the Twentieth Century

Jurica Pavičić: From a Cinema of Hatred to a Cinema of Consciousness: Croatian Film after Yugoslavia

Tomislav Kurelec: Institutions, Infrastructure, Industry: Croatian Film or a Battle for Survival

Diana Nenadić: The New Croatian Documentary: Between the Political and the Personal

Sanja Bahun: Croatian Animation, Then and Now: Creating Sparks or Just a Little Bit of Smoke?

Mima Simić: Gender in Contemporary Croatian Film

Interviews

Aida Vidan and Gordana P. Crnković: A Conversation with Rajko Grlić: Films Are Stories About People, Not About Ideas

Aida Vidan and Gordana P. Crnković: A Conversation with Vinko Brešan: No Aesthetics without Ethics

Diana Nenadić: A Conversation with Nenad Puhovski: Documentarism as a Personal and Social Mission 

Sanja Bahun: A Conversation with Joško Marušić: Sending Messages to Unknown Friends

Reviews

Marko Dumančić: Dalibor Matanić’s Fine Dead Girls (Fine mrtve djevojke, 2002)

Nikica Gilić: Kristijan Milić’s The Living and the Dead (Živi i mrtvi, 2007)

Vida Johnson: Rajko Grlić’s Border Post (Karaula, 2006)

Hana Jušić: Ognjen Sviličić’s Sorry for Kung Fu (Oprosti za kung fu, 2004); Armin (2007)

Mario Kozina: Antonio Nuić’s Sex, Drink and Bloodshed (Seks, piće i krvoproliće, 2004); All for Free (Sve džaba, 2006); Donkey (Kenjac, 2009)

Bruno Kragić: Lukas Nola’s Celestial Body (Nebo, sateliti, 2000); Alone (Sami, 2001)

Karla Lončar: Snježana Tribuson’s The Three Men of Melita Žganjer (Tri muškarca Melite Žganjer, 1998)

Inna Mattei: Arsen Anton Ostojić’s A Wonderful Night in Split (Ta Divna Splitska Noć, 2003)

Katarina Mihailović: Vinko Brešan’s How the War Started on My Island (Kako je počeo rat na mom otoku, 1996); Witnesses (Svjedoci, 2003); Will Not End Here (Nije Kraj, 2008)

Nataša Milas: Goran Rušinović’s Buick Riviera (2008)

Lorraine Mortimer: Goran Dević and Zvonimir Jurić’s The Blacks (Crnci, 2009)

Boško Picula: Krsto Papić’s When the Dead Start Singing (Kad mrtvi zapjevaju, 1998)

Maxim Pozdorovkin: Goran Dukić’s Wristcutters: A Love Story (2006)

Mima Simić: Hrvoje Hribar’s What is a Man Without a Moustache? (Što je muškarac bez brkova?,2005)

Tomislav Šakić: Zrinko Ogresta’s Fragments: Chronicle of a Vanishing (Krhotine / Kronika jednog nestajanja, 1991); Washed Out (Isprani, 1995);  Red Dust (Crvena prašina, 1999); Here (Tu, 2003); Behind the Glass (Iza stakla, 2008)

Petra Belković Taylor: Tomislav Radić’s What Iva Recorded (Što je Iva snimila 21. listopada, 2003., 2005)

Zhen Zhang: Branko Schmidt’s The Melon Route (Put Lubenica, 2006) and Metastases (Metastaze, 2009)

Contributors' details

 

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