Catherine Portuges is Professor of Comparative Literature and Director of the Interdepartmental Program in Film Studies at the University of Massachusetts, Amherst
Catherine Portuges: “Contemporary Perspectives on Hungarian Cinema”
Susan Suleiman: “On Exile, Jewish Identity, and Filmmaking in Hungary: A Conversation with István Szabó”
Catherine Portuges: “A Conversation with Gyula Gazdag”
György Báron: “Dead Sea Scrolls: Hungarian Documentaries Before and After the Political Changes”
John Cunningham: “Jenö Janovics and Transylvanian Silent Cinema”
Kristian Feigelson: “The Labyrinth: A Strategy of Sensitive Experimentation, A Filmmaker of the Anonymous”
David Frey: “‘Why We Fight’ Hungarian Style: War, Civil War, and the Red Menace in Hungarian Wartime Feature Film”
Beverly James: “Character Subjectivities in Films about the 1956 Hungarian Revolution”
András Bálint Kovács: “The World According to Béla Tarr”
John Cunningham: Csaba Bollók’s Iska’s Journey (Iszka utazása), 2007
Peter Hames: Ágnes Kocsis's Fresh Air (Friss Levegö), 2006
Anikó Imre: Áron Gauder’s The District (Nyóckér!), 2004
Steve Jobbitt: Nimród Antal’s Kontroll (2003) — Subterranean Dreaming: Hungarian Fantasies of Integration and Redemption
Ivan Sanders: Tainted Art: On István Szabó's Taking Sides (2001)
Ivan Sanders: Oversexed, Overstuffed, Over the Top: György Pálfi’s Taxidermia (2006)