Vida Johnson is Professor of Russian culture and film and Director of the Program in Russian at Tufts University.
Vida T. Johnson: “Introduction: From Yugoslav Cinema to New Serbian Cinema”
Goran Gocić: "The Dionysian Past and the Apollonian Future of Serbian Cinema (Žilnik, Kusturica, Dragojević)"
Ivana Kronja:“The Aesthetics of Paranoid Realities in The Land of Truth, Love and Freedom and South by South-East by Milutin Petrović”
Dejan Ognjanović: “Genre Films in Recent Serbian Cinema”
Ana Janković Piljić: “Who is Afraid of Alice in Wonderland?”
Ivan Velisavljevic: “How We Loved America: The Significance of Rock’n’roll and American Movies in the Serbian Film Industry”
Dimitrije Vojnov: “The Rise and Fall of Serbian Pop Cinema”
Srdjan Vučinić: “The Grotesque as History, History as Grotesque: The Meaning of the Grotesque in Recent Serbian Cinema”
Miša Nedeljković: Goran Paskaljević’s The Optimists (Optimisti, 2006)
Aida Vidan: Srdan Golubović’s The Trap (Klopka, 2007)
Greg DeCuir Jr: Nikola Stojanović’s Belle Epoque, or the Last Waltz in Sarajevo (Belle epoque, ili poslednji valcer u Sarajevu, 2007)
Christina Stojanova: Stefan Arsenijević’s Love and Other Crimes (Ljubav i drugi zločini, 2008)
Christina Stojanova: Goran Marković's The Tour (Turneja, 2008)
Marko Dumančić: Milorad Milinković’s Obituary for Escobar (Čitulja za Eskobara, 2008)
Nevena Daković: Srđan Dragojević’s St George Shoots the Dragon (Sveti Georgije ubiva aždahu, 2009)
Vlastimir Sudar: Jovan Todorović’s The Belgrade Phantom (Beogradski Fantom, 2009)