Issue 70: October 2020

Articles

Krikor Beledian: Philosophically Paradjanov (translated by Laure Astourian)

Festival Reports:

Birgit Beumers: Venice 2020: The Russians are coming… and they’re not alone

 

Reviews

Double Views
Dmitrii Meskhiev: Two Tickets Home by Sergei Dobrynin
Dmitrii Meskhiev: Two Tickets Home by Benjamin Rifkin

Egor Abramenko: Sputnik by José Alaniz
Egor Abramenko: Sputnik by Denis Saltykov

Reviews
Mariia Agranovich: Love Them All by Alyssa DeBlasio
Emil Atageldiev: The Lake by Gulbara Tolomushova
Aleksandr Barshak: The Pilgrim by David McVey
Aleksandr Galibin: Little Sister by Tatiana Filimonova
Andrei Griazev: The Foundation Pit (doc) by Jeremy Hicks
Umid Hamdamov: Hot Bread (UZB) by Elena Monastireva-Ansdell
Aleksei Krasovskii: Elephant by Emjay O’Shea
Andrei Konchalovsky: Sin by Anna Nieman
Kirill Mikhanovsky: Give Me Liberty by Eva Ivanilova
Eduard Oganesian: Chicks (TV series) by Tatiana Efremova
Pavel Ruminov: Success by Olga Mesropova
Aleksei Smirnov: Inside Lapenko (YouTube) by Anna Sbitneva
Ivan Snezhkin: Liver by Natalija Majsova
Evgenii Tatarov: Abandoned by Alexandar Mihailovic
Adilkhan Yerzhanov: Dark, Dark Man (KAZ) by Peter Rollberg
Filipp Yuriev [Iur'ev]: The Whaler Boy by Birgit Beumers, followed by an Interview with Yuriev


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Updated: 2020