Issue 40: April 2013
Anna Nieman: “A Picnic on the Road to the Temple” (Aleksei Balabanov’s Me Too in context)
Birgit Beumers: "Animated Suzdal"
Birgit Beumers: "Belye Stolby, in Color and 3D"
Issue 39: January 2013
Birgit Beumers: "The Future is Short! “Kinotavr.Shorts” and “Kinoproba,” 2012"
Birgit Beumers: "Didor Five: A Grand Week Out"
Issue 38: October 2012
Nancy Condee: Fifteen Realities of Russian Cinema: Kinotavr 2012
Tat’iana Moskvina-Iatsenko: The Conflict of Life and Death in Russian New Wave Cinema (2010/11)
Issue 37: July 2012
Jeremy Hicks: “Lenfilm Lives On! The Charm and Curse of Continuity”.
Report on “RealAvantGarde—With Lenfilm Through the Short Twentieth Century,” goEast (Wiesbaden, 18-24 April)
Sergei Kapterev, Nikolai Maiorov: “Belye Stolby 2012: Commemorations and Discoveries”
Gul'bara Tolomushova: “Kyrgyzstan, Nation of Film Festivals”
Issue 36: April 2012
Issue 35: January 2012
Svetlana Khokhriakova and Birgit Beumers: “Returning to the Roots of Humanity.” Interview with Igor’ Voloshin and Ol’ga Simonova
Issue 34: October 2011
Mihaela Mihailova: “I am Empty Space:” A Mermaid in Hyperreal Moscow
Birgit Beumers and Nancy Condee: Kinotavr 2011: Russian Cinema as a State of Mind
Julie Draskoczy: The Socialist Avant-Garde at the 33rd Moscow International Film Festival
Oskar Sandrock: The Present and Future of Animation: Suzdal 2011
Issue 33: July 2011
Rimgaila Salys: Infernal Energy. Revisioning the Stalin era
Issue 32: April 2011
Dina Khapaeva: From a Vampire’s Point of View
Sergei Kapterev and Birgit Beumers: Gosfilmofond celebrates: Belye Stolby 2011
Issue 31: January 2011
Issue 30: October 2010
Birgit Beumers: The Self and the Other in Recent Russian Cinema
Tat'iana Kruglova: An Artistic Diagnosis of Modern Russian Cinema: The Little Man vs. the Big Other
Birgit Beumers: Kinotavr 2010: Migration and Isolation
Alyssa DeBlasio: Films for an Optimist: Saying “Yes” to Life at the 32nd Moscow IFF
Christina Stojanova: The New Vicissitudes of Auteur Cinema in Central and Eastern European Cinema: Karlovy Vary 2010
Gul'bara Tolomushova: The Sunset of a Patriarchal Era: Eurasia 2010
Issue 29: July 2010
Aliya Moldalieva: "Topical Reflections from Twenty Years Ago" (Ailanpa, 1989)
Birgit Beumers: "Suzdal 2010. The Business of Animation"
Issue 28: April 2010
Mariya Y. Boston: "Speaking in Tongues: Poetic Language in Nikita Mikhalkov’s Burnt by the Sun"
Andrey Shcherbenok: "Asymmetric Warfare: The Vision of the Enemy in American and Soviet Cold War Cinemas"
Birgit Beumers: " Restoring Images: Belye Stolby 2010"
Issue 27: January 2010
David MacFadyen: Cinematic Abuse as Self-Affirmation: Russian Video Mash-ups, Illegal Social Networking, and the Rise of Bekmambetov’s “Office Plankton”
Maria Vinogradova: Amateur Cinema in the Soviet Union and the Leningrad of Film Amateurs in the 1970s-1980s
Dar'ia Borisova: Kinoshok 2009: The Expiring Principle of Soviet Brotherhood
AAASS 2009 Roundtable on Young Kazakh Cinema
Birgit Beumers: Waves, old and new, in Kazakh Cinema
Jane Knox-Voina: Young Kazakh Filmmakers: New “New Wave” on the Road
Stephen M. Norris: The Gifts of History: Young Kazakh Cinema and the Past
Eugénie Zvonkine: “Kazakhstan Rules the World:” Satybaldy Narymbetov’s Mustafa Shokai (2008) and the Rewriting of History
Issue 26: October 2009
Evgenii Margolit: “Monumental Sculptures in Soviet Cinema of the 1920s”
Birgit Beumers: “A Return to Folklore?—Suzdal 2009”
Birgit Beumers, “Kinotavr 2009: The Victory of New Drama”
Christina Stojanova: “Characters and Circumstances: Notes on the Competition Program of the 31st Moscow International Film Festival”
Issue 25: July 2009
Kristina Matvienko: With a Cine-Eye through Russia: The Festival “Kinoteatr.doc” 2009
Irina Mel’nikova: (Re)presentation of The Metamorphosis: Valerii Fokin, Franz Kafka, René Magritte and the Issue of Cinematic Adaptation
[Interview] Anton Sidarenka: Interview with Sergei Loznitsa. Conversations on Cinema: "A Master of Time"
Issue 24: April 2009
Nikolai Izvolov: Designed Sound in the USSR
Jane Knox-Voina: New ‘New’ Wave Filmmakers Welcome Their Audiences’ Discomfort: Kazakh and Kyrgyz Youth Films
Gulnara Abikeeva: Central Asian Documentary Films of the Soviet Era as a Factor in the Formation of National Identity
Gulbara Tolomushova: The Secret Sense of the Tashkent Messages
Issue 23: January 2009
Maria Belodubrovskaya: Understanding the Magic: Special Effects in Ladislas Starewitch's L'Horloge magique
Larisa Maliukova: The State of the Art: Russian Animation Today
Evgenii Margolit: The Image of Germans in Russian Cultural Space
Issue 22: October 2008
Klaus Eder: Moscow 2008: The Center of the Province
Nina Tsyrkun: "Forward to the Past, or: What kind of millennium has begun?" (on the Russian Program of the Moscow International Film Festival)
Diliara Tasbulatova: "Kinotavr 19"
Aliya Moldalieva: "New Cinema in Kyrgyzstan"
Issue 21: July 2008
Pittsburgh Russian Film Symposium 2008 — The Ideological Occult: Russian Cinema under Putin:
Birgit Beumers: "The 13th Open Russian Animation Festival Suzdal" (2008)
Dina Goder: "Kinoteatr.doc 2008: Some Notes on the Cuffs"
David MacFadyen: “The Presumed Threat of Digital Culture to Russian Cinema”
Issue 20: April 2008
Tom Birchenough: The Koktebel Studio
Dar'ia Borisova: The Forum of National Cinematographies Played at Being a Film School
Barbara Wurm: The International Film Festival Rotterdam — A Festival of Significance for Russian Cinema; In Focus: Svetlana Proskurina
Birgit Beumers: Returning to the Roots: Central Asia in Rottterdam
[Interview] Inna Smailova: Interview with Abai Kulbai: The Keeper of Eternal Values in Cinema
Issue 19: January 2008
[Interview] Giulia Marcucci: Interview with Aleksandr Mindadze: From Scriptwriter to Director
Irina Shilova: Renata Litvinova: Actress and Persona
Michael Rouland: A Tour through Kinostan
Inna Smailova: Three Generations of Kazakh Cinematographers: Action - Reaction - Change of Reality
Eugénie Zvonkine: "On a Motorbike or on a Horse?": The IV Eurasia International Film Festival 2007
Issue 18: October 2007
Tom Birchenough: "Vladivostok 2007": The lnternational Pacific Meridian Festival
Mihai Chirilov: "Phony Games: The Moscow International Film Festival 2007"
Jeremy Hicks: “Reflections of Andrei Tarkovskii: The Zerkalo Festival and Conference”
David MacFadyen: “Strike Up, Pipers! The Russian Program of the Moscow Film Festival, 2007”
Kirill Razlogov: "Kinotavr: Caught in the Crossfire"
Issue 17: July 2007
Melodrama and Kino-Ideology: Pittsburgh Russian Film Symposium Roundtable:
Kristina Matvienko: The Third Festival of Real Cinema: "Kinoteatr.doc" (2007)
Issue 16: April 2007
Jose Alaniz: Cinema without Barriers
Thomas Campbell: A Khakassian Sends a Postcard Home: The Strange Career of Evgenii "Debil" Kondrat'ev
David MacFadyen: Changing Notions of Realism in Primetime Russian TV
Stephen Norris: In the Gloom: The Political Lives of Undead Bodies in Timur Bekmambetov's Night Watch
Issue 15: January 2007
Peter Bagrov: Ermler, Stalin, and Animation: On the Film The Peasants (1934)
Birgit Beumers and Michael Rouland: Eurasia 2006: An International Festival?
Konstantine Klioutchkine: The Kamenskaia Television Series and the Conventions of Russian Television
Alena Solntseva: KINOTEATR.DOC: The First Three Years
Issue 14: October 2006
Svetlana Khokhriakova: Starless, Prize-less: The Moscow International Film Festival 2006
Adam Lowenstein: From the Tsars to the Stars: A Journey Through Russian Fantastik Cinema (Lincoln Center Program, August 2006)
Elena Plakhova: Victims of Euphoria: The 17th Open Russian Film Festival (Kinotavr 2006)
Birgit Beumers: Cannes 2006: The Russian Presence
Issue 13: July 2006
Natalia Lukinykh: Inspired by the Oscar, Hardened by the Marketplace. On the Everydays and Holidays of Russian Animation. (Suzdal Animation Festival)
Eugenie Zvonkine: The Tenth Forum for National Cinematographies of the CIS and the Baltic States (Kinoforum)
Aleksandr Deriabin: Judgment Day: Recreation and Stylization (On Ethics in Documentary Filmmaking and Other Matters)
Issue 12: April 2006
Bauyrzhan Nogerbek: "The Eurasia-2005 Film Festival: Ambitions and Realities"
Vladimir Padunov: Storing and Restoring History: Gosfil'mofond and the 10th Belye Stolby Archival Film Festival
Thomas Campbell: Five Theses About Timur Bekmambetov's Day Watch
Russian TV-Serials: AAASS Roundtable 2005: "Russian TV: Past Issues of Present Concern"
Issue 11: January 2006
José Alaniz: Moscow Conceptualism and the ArtKomiks of Gosha Ostretsov
Thomas H. Campbell: The Bioaesthetics of Evgenii Iufit
Seth Graham: Iusup Razykov and Contemporary Uzbek Cinema
Issue 10: October 2005Elena Stishova: There's No Point Arguing with the Marketplace: The Ninth KinoForum
Issue 9: July 2005Ian Christie: Iakov Protazanov: A Timely Case for Treatment
Issue 8: April 2005John MacKay: The "Spinning Top" Takes Another Turn: Vertov Today
Issue 7: January 2005Special Feature: Dziga Vertov: John MacKay: Disorganized Noise: Enthusiasm and the Ear of the Collective
Issue 6: October 2004"National Cinema": Pittsburgh Film Colloquium roundtable featuring:
Moscow International Film Festival 2004: Susan Larsen: At the Intersection of Art, Commerce, and National Pride
Issue 5: July 2004Kinoforum 2004: Vladimir Padunov: Imperial Acorn -→ National Oaks: The Eighth KinoForum .
Issue 4: April 2004Josephine Woll: Exorcising the Devil: Russian Cinema and Horror.
Issue 3: January 2004
Vladimir Padunov: Stars Above Almaty: Kazakh Cinema Between 1998 and 2003 .
Bauyrzhan Nogerbek: Demythologizing and Reconstructing National Space in the Kazakh "New Wave" .
Issue 1: July 2003Nancy Condee and Vladimir Padunov: Subtropical Cinema: Kinotavr, Collective Heroes and Small Screens: The Fourteenth Annual Open Russian Film Festival (3-17 June 2003).
Articles are indexed in ABSEES and in the MLA Bibliography.